To bake a mind-altering cake nowadays, you've got to smash a few sugarcubes. Unlike bands who get all cutesy with the pop trappings of '60s acid-rock, Spacemen 3 are content to let the music be its own hallucinogen. At the outset, their records lay down a droning thick-pile carpet of over-driven gui. Spacemen 3 - The Perfect Prescription 1987 Spacemen 3 - Sound of Confusion 1986 Boards of Canada - Music Has the Right to Children. Adam F - Colours 1997 Chris Isaak - Chris Isaak 1987 Chris Isaak - Silvertone 1985 Porcupine Tree - In Absentia 2002 Fauxliage - Fauxliage 2007 Dif Juz - Extractions 1985.

Free download info for the Shoegazing Acid rock Space rock album Spacemen 3 - Recurring (1991) compressed in.rar file format. The genre category is: Shoegazing Acid rock Space rock. The mediafire link is uploaded and shared. The Free Hard Music community also provides a free music downloads of Spacemen 3 Discography with full MP3 320 kbit. Spacemen 3 Recurring (1990).rar - [Fast Download] kbps. Bayamon mapa carreteras. Spacemen 3 Title Of Album: Recurring Year Of Release: 1991 Label. free full. download Spacemen 3 Recurring (1990).

Spacemen 3 Recurring As the first stage in Fire Records comprehensive Spacemen 3 reissue campaign, they are proud to release, for the first time on LP in the U.S. The band’s unforgettable debut record, Sound of Confusion, the defining sound of the classic The Perfect. Spacemen 3 Sound of Confusion.rar from mediafire.com 86.14 MB, Spacemen 3 - Sound of confusion.rar from mega.co.nz 80.55 MB, SPACEMEN 3 (Sound Of Confusion 1989).zip from mediafire.com 76.57 MB. It was in fact the show from Munich on 26th of January as I have compared the respective recordings.

Spacemen 3 fue un grupo de rock inglés formado en Rugby (Warwickshire) en 1982 y cuya carrera abarcó las épocas del post-punk al acid house, separándose en 1991. Los líderes de Spacemen 3 eran Jason Pierce (J. Spaceman) y Peter Kember (Sonic Boom).

Find Spacemen 3 discography, albums and singles on AllMusic. British cult band of the '80s whose hypnotic, fuzzed-out masterpieces helped pioneer shoegaze and modern space.

PASS: mulideal
01. Losing Touch With My Mind
02. Hey Man
03. Rollercoaster
04. Mary Anne
05. Little Doll
06. 2.35
07. D.D. Catastrophe
08. Walking with Jesus
09. Rollercoaster
10. Feel So Good
11. 2.35
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01. Honey
02. Come Down Softly to My Soul
03. How Does It Feel?
04. I Believe It
05. Revolution
06. Let Me Down Gently
07. So Hot (Wash Away All of My Tears)
08. Suicide
09. Lord Can You Hear Me?
10. Suicide [live]
11. Repeater (How Does It Feel) [live]
12. Che
13. May the Circle Be Unbroken
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01. Big City
02. Why Couldn't I See
03. I Love You
04. Just to See You Smile
05. Set Me Free/I Got the Key
06. When Tomorrow Hits
07. Feel So Sad
08. Hypnotized
09. Sometimes
10. Feelin' Just Fine (Head Full of Shit)
11. Billy Whiz/Blue, Pt. 1
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01. Take Me to the Other Side
02. Walkin with Jesus
03. Ode to Street Hassle
04. Ecstasy Symphony
05. Transparent Radiation
06. Feel So Good
07. Things'll Never Be the Same
08. Come Down Easy
09. Call the Doctor
10. Soul 1
11. That's Just Fine
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01. An Evening of Contempoary Sitar Music
02. Ecstasy in Slow Motion Kember, Pierce
03. Spacemen Jam
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01. Mary-Anne
02. Come Together
03. Things'll Never Be the Same
04. Take Me to the Other Side
05. Rollercoaster
06. Starship
07. Walkin' with Jesus
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01. Rollercoaster
02. Mary Anne
03. Bo Diddley Jam
04. 2:35
05. Walking With Jesus
06. I Believe It
07. Lord Can You Hear Me?
08. Things'll Never Be the Same
09. Starship
10. Revolution
11. Suicide
12. Take Me to the Other Side
13. Suicide (Version 2)
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01. Come Together
02. Rollercoaster
03. Take Me to the Other Side
04. Things'll Never be the Same
05. Starship / Revolution
06. Little Doll
07. O.D. Catastrophe
08. Come Together Two Times

Spacemen 3 Discography Torrent

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01. Honey (Alternative Mix)
02. Walkin' With Jesus (Alternative Mix)
03. Repeater (Alternative Mix)
04. X-Tacy Symphomy (Alternative Mix)
05. Transparent Radiation (Alternative Mix)
06. Losing Touch With My Mind (Northhampton Demo)
07. Suicide (Heavy Drum Mix)
08. Things'll Never Be the Same (Drum Mix)
09. Why Couldn't I See (Alternative Mix)
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01. Roller Coaster
02. Mary Anne
03. Bo Diddley Jam
04. 2:35
05. Walking With Jesus
06. I Believe It
07. Lord Can You Hear Me?
08. Things'll Never Be the Same
09. Starship [#]
10. Revolution [#]
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01. Walkin' With Jesus
02. Rollercoaster
03. Feel So Good
04. Transparent Radiation
05. Esctasy Symphony
06. Transparent Radiation (Flashbacks)
07. Starship
08. Take Me to the Other Side
09. Soul 1
10. That's Just Fine
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Spacemen 3 Discogs

01. Things'll Never Be the Same
02. Walking With Jesus
03. Come Down Easy [demo version]
04. Transparent Radiation [Single Version]
05. Ode to Street Hassle
06. Call the Doctor
07. Ecstacy Symphony
08. Feel So Good
09. Soul 1

Spacemen 3 Allmusic

10. Transparent Radiation
11. Come Down Easy
12. Walking With Jesus [demo version]
13. Things'll Never Be the Same [demo version]
14. We Sell Soul [#]
15. Starship [demo version]
16. Take Me to the Other Side [demo version]
17. Velvet Jam [#]
18. I Want You Right Now [#]
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01. Things'll Never Be the Same

Spacemen 3 Discography Torrent

02. 2:35
03. Walkin' With Jesus
04. Fixin' to Die
05. T.V. Catastrophe
06. Things'll Never Be the Same
07. Walkin' With Jesus
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Spacemen 3 Albums

01. The Sound of Confusion
02. 2.35 [Version 1]
03. Losing Touch With My Mind
04. Amen
05. That's Just Fine (Vocal Version)
06. Come Down Easy
07. Mary Anne
08. Feel So Good
09. 2:35 (Feedback Version)
10. Hey Man
11. It's Allright
12. 2:35 (Version 2)
13. Things'll Never Be the Same
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01. Revolution
02. Che
03. May The Circle Be Unbroken
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01. Hypnotized
02. Just To See You Smile (Honey Pt. 2)
03. The World Is Dying
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01. Big City (Everybody I Know Can Be Found Here)
02. Drive
03. Big City (Waves of Joy) [demo version]
04. Drive [demo version]
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Spacemen 3 Sound Of Confusion

01. Starship
02. Revolution

Spacemen 3 Recurring

03. Suicide
04. Repeater
05. Live Intro Theme (Xtacy)
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To bake a mind-altering cake nowadays, you’ve got to smash a few sugarcubes. Unlike bands who get all cutesy with the pop trappings of ’60s acid-rock, Spacemen 3 are content to let the music be its own hallucinogen. At the outset, their records lay down a droning thick-pile carpet of over-driven guitar and mongoloid drumming; later on, they began exploring the equally unsettling powers of more tranquil waters. Not as selfconsciously arty as Sonic Youth or as decisively melodic as the Jesus and Mary Chain, Spacemen 3 follow both stylistic poles of the Velvet Underground with more wholehearted enthusiasm than most of the group’s self-appointed apostles.

Recorded as a quartet (including, for once, an on-board drummer), Sound of Confusion brings the psychedelic sound of Rugby (an industrial city near Birmingham) to bear on a mixture of bizarre covers (Iggy Pop’s “Little Doll,” the 13th Floor Elevators’ “Rollercoaster,” Juicy Lucy’s “Mary Anne”) and originals that all sound exactly the same. Except for the clever pun of “Hey Man” (sung as if it were the homonymic gospel assent) and the bonus dynamics of “2.35,” the album roars along on the precipice of monotony, with only the frequent appearance of vocals to ensure listener consciousness.

The Perfect Prescription finds Jason Pierce (guitar, organ, vocals), Sonic Boom (guitar, organ, vocals) and Pete Bassman (bass) abruptly reducing the dosage with lots of sonic space, varied instrumentation (acoustic guitar, violins, horns, keyboards) and very little percussion. Although things heat up towards the end, much of the album — like its quietly contemplative string- driven centerpiece, a cover of Red Crayola’s “Transparent Radiation” — is pretty and evocative, but hardly engrossing. (The Glass and Genius cassettes add 40 minutes of bonus material, including an endless version of “Rollercoaster” and a lengthy reworking of “Starship,” a Sun Ra adaptation from the first MC5 album; the Genius CD adds only those two tracks; the Fire CD skips that stuff and instead adds a pair of B-sides from the “Take Me to the Other Side” single.) Transparent Radiation contains two different renditions of the title track, a distended version of the album’s placid “Ecstasy Symphony,” “Starship” and one other item to counter the band’s tender tendencies.

Performance, recorded semi-loud and live in Amsterdam before — judging by the meager applause — an audience of three, recycles favorite covers (“Mary Anne,” “Rollercoaster,” “Starship” and the MC5’s “Come Together”) and puts forth three other songs, including “Take Me to the Other Side” and “Walkin’ With Jesus,” respectively the darker and lighter sides (and two of the best songs) from The Perfect Prescription. The Genius CD has two bonus tracks.

Playing With Fire is the trio’s crowning achievement, a perfectly integrated mixture of trippy pop, spaced-out poetry, acoustic romance and mind-boggling guitar devastation. The album starts out gentle (“Honey”), turns explosive (“Revolution”) and then settles into an obsessive drone (the tributary “Suicide”) that dominates Side 2. Throughout, the Spacemen exhibit solid songwriting and careful control of their art, modulating the album’s mood ring with the ease of experienced navigators. (The American vinyl edition is on colored wax; the CD (both UK and US issue) adds two live cuts. Additionally, two thousand copies of Spacemen 3, an untitled 12-inch — stock number THREEBIE 3 — containing 1988 live versions of “Revolution,” “Suicide” and “Repeater,” plus the uneventful drone-strumental “Live Intro Theme (Xtacy),” were distributed free to purchasers of the British album.)

As legally dubious as its title suggests, Taking Drugs, a document of the quartet’s prehistory (early 1986), resembles the first album (with which it overlaps three songs) except in the degree of sonic intensity and the sound quality. Besides songs that found their way intact onto S3 LPs, this neat artifact includes a developmental version of “Walkin’ With Jesus” entitled “Sound of Confusion” and the second album’s “Come Down Easy,” poppy proof that the group was capable of restraint from the very beginning.

Spacemen 3 Discography

With S3 nearing collapse (Jason Pierce launched his own band, Spiritualized, in mid-1990, with an enjoyably grandiose rendition of Chip Taylor’s “Anyway That You Want Me,” a ’66 hit for the Troggs), Sonic Boom (Peter Kember; on the first Spacemen LP he was billed as Peter Gunn) made Spectrum, an album more noteworthy for its ambitious adjustable (first presssing only) op-art sleeve than its content. With playing assists from Jason as well as the Jazz Butcher and members of the Perfect Disaster, Sonic stays inside the one-chord amelodic vamps of Spacemen country, tightening the stylistic bond to Suicide by covering the duo’s “Rock’n’Roll (Is Killing My Life).” But the album has a serious lack of vitality. Where Sonic ought to rev things up (a few real songs would have been nice), he turns nearly subliminal, and the instrumental portion of the doomy “If I Should Die,” which closes the album, floats away on strains of lighter-than-air atmosphere. (A 10-inch bonus record entitled Octaves and Tremelos was offered by mail to purchasers of Spectrum.)

Surprising fans who assumed they would never work together again, Jason and Sonic did reunite (only in the sense that each contributed a solo side) for another album. The buzzing guitars and shy organ that drone gently through Sonic Boom’s “Why Couldn’t I See?” — the second song on the narcotically relaxed Recurring — amount to sitar-free raga-rock, laying a poppy (poppie?) bed for the vibratoed and reverbed wispy vocals. Otherwise offering an undated adaptation of ’60s folky acid-rock with elements of the Beatles, Stones and others, the lullingly pleasant album — one of the most subtly retro-styled records of the current English scene — contains both sides of the Spacemen’s 1989 UK single (“Hypnotized” b/w “Just to See You Smile”), an incongruous sequencer-driven dance track (“Big City”), an ominous bluesy cover of Mudhoney’s “When Tomorrow Hits” (the record’s sole Jason/Boom collaboration) and such future flashbacks as “Set Me Free/I Got the Key,” the “Hang on Sloopy”-derived “I Love You” and “Feel So Sad.” (The Fire LP contains 10 cuts; the 78-minute Fire CD has 15; all formats of the Dedicated release have 11, but not all of those appear on the Fire LP.)

With superb annotation and deluxe packaging, Losing Touch With Your Mind is a collecton of alternate takes.